Monthly Archives: December 2012

Read “The Degaussment” right now, you fool.


James Boice reached out to me to collaborate on a digital version of his short story “The Degaussment”. I didn’t have time to make anything worthwhile before he released it, but I was blown away by the what he sent me.

This is a story of mad obsession, a dying technology, horrible wounds, and a skill that eats its owner alive. I tore through it in a sitting, then read it again later. You aren’t going to pay $2 for a better experience today, so grab it now.

James gives a crap, so he’s not just selling a Kindle or Nook version – you can buy a DRM free epub file that works or a PDF for the same price. I ended up buying all the rest of his stories – he’s selling them for $.99 each.

I do not often tell you to buy something. Buy this.

Chap Hop & Race

Appropriation and remix is how we make new things. Chap hop is hip hop plus anachronistic victoriana. I first heard Professor Elemental’s “A Cup of Brown Joy” and it blew me away. Great rhymes, great subject, great presentation.

White rappers always face the history of rap music. It started as black music, just like rock. And just like early rockers, most white rappers adopt the poses and styles of black rappers that came before them. I like that chap hop borrows from hip-hop, a black music tradition, and adapts it in a fresh way. They take the structure and the mechanics, but substitute an entirely different culture and origin myth.

Good appropriation and remix cites sources, calls back to the places it came from. I like Mr B the Gentleman Rhymber’s “Straight Out of Surrey”. Totally it’s own thing, but totally tipping a bowler to the origin.

Like most rappers and rockers, these guys are presenting a facade, they are concerned with keeping it straight. But these guys aren’t trying to maintain “authenticity”. They aren’t trying to make their image fool you.

Hey, did you catch that cameo by Mr B? His rough treatment by Professor Elemental is another part of the callback. Rap battles and diss songs aren’t going to be the same in chap hop, but here is the Professor calling out Mr. B for biting his style.

Yeah – the whole battle is a great way for them to generate interest and sell albums… But isn’t that what most of the great rap rivalries turn into?

The thing that irks me about this fun and silly genre is that it takes rap completely from black people. Just like white people who loved black rock eventually turned it into a white only club, these guys have made chap hop representative of the ethnic monoculture of the victorians – white white white. If the whole thing is a laugh and no one is pretending this is really the 1800s, can we welcome in some color? Hopefully its a matter of time till we get some more chap hop performers – and some of them might bring in a different culture.

I’ll leave you with a great rap battle mixdown between the two:

The ethical car is a deathtrap

Non-nerds are talking about machine ethics because Google’s driverless cars show up in a New Yorker essay:

Within two or three decades the difference between automated driving and human driving will be so great you may not be legally allowed to drive your own car, and even if you are allowed, it would be immoral of you to drive, because the risk of you hurting yourself or another person will be far greater than if you allowed a machine to do the work.

That moment will be significant not just because it will signal the end of one more human niche, but because it will signal the beginning of another: the era in which it will no longer be optional for machines to have ethical systems. Your car is speeding along a bridge at fifty miles per hour when errant school bus carrying forty innocent children crosses its path. Should your car swerve, possibly risking the life of its owner (you), in order to save the children, or keep going, putting all forty kids at risk? If the decision must be made in milliseconds, the computer will have to make the call.

Heady stuff, right?! We must not be allowed to drive our cars because machines can drive them better. We’ll get standards for car ethics from a government agency.

I’m reading Bruce Schneier’s excellent “Liars and Outliers” so let’s look at this from a security perspective. If you have mandated ethics for machines, I understand that as a single set of rules that cars have to obey. We would have to decide, as a society, if it is better to save ourselves or kill the 40 kids. We have to come up with an algorithm that a machine could use that we could agree with.

The trouble is, this isn’t how ethics work in our brains. Our minds aren’t algorithms. They are a quorum. We make decisions by having different parts of our brain shout their opinion. Self preservation shouts. Pity shouts. One of them shouts louder and that’s how we decide to swerve off the bridge. Or that’s how we end up living with our decision.

So this isn’t how you’d get a machine to make a decision. You need a replicable algorithm, something that you can hold up in court to avoid liability. The problem here is you have a system – and those are hackable. Hackable systems get hacked.

What happens when the choices your car will make are all predictable? People don’t have a regular response to situations, they are very variable. Your ethical car will be making predictable responses to situations. Predictable responses are easy to manipulate. So you can expect hacking of those situations. You can expect people to manipulate the ethical responses of your car to their own ends – and you won’t have an input because you aren’t as trustworthy as a car.

But this is kind of a smokescreen, isn’t it. The article isn’t really about the idea of driverless cars having to make decisions. Driverless cars can’t make a decision between the bus full of kids and your own life. So what is this article really about?

Years of play

I really like this live performance by Grimes. She sits on the floor, twists knobs, taps buttons, and moans into a mic like it was the most casual, natural thing in the world. It looks like you could sit beside her, turn the knobs a bit differently, tap other buttons and you could make a different song.

The years of play, of experimenting and trying are covered in her ease. It’s like watching a great athlete at play on her chosen field.